At a party you never want to be the first to arrive nor the last to leave, though someone inevitably must be. Dorm life (which is kind of like an endless party) is no different. This young chap is either an eager beaver at the start of the year, or a sentimental sap waxing contemplative after everyone else is long gone. From the Brown Alumni Magazine, 1953.
Chris Sharp found the photo. Maybe next he’ll find the guy and ask him whether he was coming or going. — CC
This ad from a 1959 issue of Sports Illustrated is interesting for a number of reasons. Most obvious is the ad’s premise of dressing young. From our perspective 55 years later, the men in the ad could hardly look more mature. Yet such were the small distinctions of suit-wearing at the time.
Then, in the box on the right, is the apparent trademarking of this “authentic IVY LEAGUE Model.”
And finally there’s the italicized line in the lower left about being “sanitized linings for hygieneic freshness,” with exclamation point.
I recall Paul Fussell’s having a fitting remark about champagne in his book “Class” (DCG, please return my copy.) Something about how the middle class always saves the unused portion by putting aluminum foil over the top, thereby satisfying its dual yet competing desires for luxury (pronounced “lugzhury”) and thrift.
Or, in this case, an authentically prestigious Ivy League model priced “regardless of budget” and sanitized for freshness. — CHRISTIAN CHENSVOLD
Tomorrow is the first day of summer, which means today is the last day of spring. Wish we could say you can scoop up these spring items at 1950 prices, but hey, at least there are sales going on right now at Brooks and Press. — CC
A couple days ago I participated in a little forum banter, pointing out that in my opinion the ubiquity of the Ivy League Look during the heyday can sometimes be overstated. What’s more, once certain items became so mainstream they certainly ceased to have any direct connection to the campus and Eastern Establishment, even if therein lay their origins. Case in point, picture John Travolta as a juvenile delinquent in “Grease.” Sure he wears penny loafers to the big dance, but they’re black. And he has grease in his hair.
Kind of like the guy above.
By chance last night I was browsing the streaming Netflix titles and ended up watching “Inventing The Abbotts.” Filmed in 1997 and starring Joaquin Phoenix and Billy Crudup, the movie is set in a small Illinois suburb and contrasts two middle-class boys brothers with three sisters from a rich family.
In the scene depicted above, Phoenix’s character shows up to a big lawn party, complete with orchestra, dolled up in his best. The costume designer has him in a white buttondown with nice collar roll, but look at the rest of his outfit: atomic-flecked ’50s sportcoat, equally radioactive Main Street necktie, and penciled-on sideburns in homage to Elvis.
Is he dressed Ivy simply because it’s 1957 and he’s wearing a buttondown, or is it more accurate to simply say he’s dressed like a suburban ’50s teenager?
Oddly enough, both Phoenix’s character and his brother end up attending the University of Pennsylvania, where their deceased father had gone. But in post-enrollment scenes the boys show virtually no sartorial development, still clad in the same pointy-collared, double-flap-pocket sport shirts and gabardine casual jackets. Was this oversight on the part of the costumer, or a deliberate decision to show that they were still small-town guys?
As a final note, I was starting to doze off when I looked up and could swear my high school was right there on the screen in high definition. I leapt to the computer to check, and sure enough “Inventing The Abbotts” was filmed at Santa Rosa High School. I was even in town at the time and don’t recall any local hoopla, which I do when it comes to “Peggy Sue Got Married” with Nicolas Cage and Kathleen Turner, which had filmed on campus the summer before I started.
Other scenes in “Inventing The Abbotts” were filmed in Petaluma, about 15 miles farther south toward San Francisco. That’s where George Lucas shot “American Graffitti,” another movie whose setting is contemporary to the Ivy heyday and shows buttons on collars, trim haircuts and penny loafers.
In other words, basic early ’60s Americana. — CC
I got taken for an employee at Brooks the other day. Hasn’t happened in a while. — CC