Today former J. Press president Richard Press once again becomes a citizen of Manhattan, leaving the suburbs of Connecticut for an Upper East Side apartment. Evidently life begins (or at least begins again) at seventy.
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Twenty-five years in the hinterlands is long enough. Today my wife and I move back to New York City, land of our original dreams.
Pictured is a souvenir of Father and Son Day 1978 at the City Athletic Club: me and my son, who in those days upheld the J. Press cut tradition at the Buckley School in New York.
The City Athletic Club was my home away from home that I shared with my best friend from my Loomis days, Gene Mercy, where we devoured cherrystones from Mike at the Clam Bar in the lounge topped by martinis at the second floor bar.
Today the City AC on 54th Street is long gone. The member roster included Senator Jacob Javits, producer Max Gordon, Paramount Pictures founder Adolph Zukor, Henry Kravis, Ron Perelman, Ralph Lauren, my Paul Stuart competitors Cliff Grodd and Paul Stuart Ostrove, not to mention Ivan Boesky, who appeared with me as an actor in an off-Broadway production of “Abie’s Irish Rose” at the Van Dam Theatre.
Now it’s time to seize the moment. I look forward to contributing to the Ivy Style exhibit at the Museum of the Fashion Institute of Technology Museum, along with blog maestro Chensvold, author and sage G. Bruce Boyer, and the museum’s deputy director Patricia Mears, plus her enthusiastic band of FIT cohorts.
Back to the future. — RICHARD PRESS
A New York Times obit for a recently deceased Borscht Belt social director described his job title, “tummler,” a Yiddish word for someone who stirs up tumult or excitement, a jack of all trades.
J. Press salesman George Feen (above left), known around New Haven as “Little Georgie Feen”, was a tummler on York Street in the 1950s.
Feen once fixed up a Lauren Bacall lookalike —from Yale Drama School and an alleged nymphomaniac — for a date with a tight end on the football team, who traded George his 50-yard-line seats for the Harvard game in exchange for opening night tickets to “My Fair Lady” at the Shubert Theatre. Those he sent over to a New Haven cop, who fixed a ticket for the Crown Street liquor dealer who was selling booze to Yale’s ultra-patrician Fence Club, where the social chairman steered the tapped pledges back to Little Georgie Feen, who sold them J. Press tweeds at a discount. I still haven’t gotten over the naked pictures of the nymphomaniac he kept in his wallet and showed me when I was 13.
Georgie’s tentacles even extended to Harlem. He finagled an introduction to jazz legend Duke Ellington after a concert at the New Haven Arena, luring the elegantly dressed bandleader with fabric books of Dupioni silk. The Duke allowed him to take measurements. Little Georgie handed him his J. Press card and promised him the gift of a silk dinner jacket made from the Dupioni swatches.
He travelled to Harlem to deliver on the promise. Ellington loved the gift and gave him more orders, this time at regular price. The patronage lasted a couple of years. A more enduring relationship was engendered when Billy Strayhorn, the Duke’s doppelganger arranger and lyricist, admired the tuxedo and followed suit at the J. Press New York store until his death in 1967.
Little Georgie Feene, a tummler on the roof in the pale of Yale. — RICHARD PRESS
1954 photo from the Life archives.
If you can’t get enough of our “Golden Years” columnist Richard Press, former president of J. Press and grandson of Jacobi, then you’re in luck. A little coaxing was all it took for him to start tweeting and the septuagenarian says he’s already addicted.
Richard will be sharing terse anecdotes, words of wisdom, style tips, news updates (like on that book he’s working on), and where to get the best bagels and lox. It’s also a good place to reach out to him as in our recent reader Q&A with him.
If you don’t already use Twitter, consider opening an account. You don’t need to post anything: Plenty of people simply use Twitter as a news feed without posting. You’ll probably find plenty of people and organizations who post breaking news about the things you’re interested in.
Richard Press’ Twitter handle is @RVPress59, and Ivy Style’s is @IvyStylecom. How tweet it is. — CHRISTIAN CHENSVOLD
The above image may look like a mere typography symbol, but is actually a work of art.
Richard Press, Ivy Style’s “Golden Years” columnist, former president of J. Press, and grandson of Jacobi, will herein host a virtual question-and-answer session with Ivy-Style.com readers, and the floor is now open.
Use the leave comment feature to ask Mr. Press anything you’d like to know about traditional American style, or any other topic on which you’d like to hear him opine.
Suggested talking points include:
College life in the ’50s (Richard graduated from Dartmouth in 1959)
J. Press during the heyday of the Ivy League Look
What makes a man stylish (Richard’s seen a lot of well dressed men over the years)
How to comport oneself like an American gentleman
Good books, movies and music
What to wear tomorrow
The meaning of life
Richard will answer as many questions as his time permits.
Snow willing, the dazzling ice sculptures of Dartmouth Winter Carnival are slated to be inaugurated on February 9. The winter weekend celebration was an intramural Ivy League event of local consequence before Walter Wanger decided to bring Hollywood into the act.
Wanger flunked out of Dartmouth in 1915, but achieved notoriety in the film world. Intensely proud of his days in Hanover burnishing his contributions to the college, was later awarded an honorary degree. He decided to reward the college and enhance his credentials with a celluloid extravaganza, “Winter Carnival.”
F. Scott Fitzgerald and Budd Schulberg, a recent Dartmouth graduate, both script writers for Wanger at United Artists, were hired for the project.
Schulberg’s father, B.P. Schulberg, former head of Paramount Pictures, presented them with two bottles of champagne, unaware that Fitzgerald was a recovering alcoholic. The bon voyage gift for the cross country trip grew into a binge with additional booze bought en route.They arrived at the college howling drunk just in time for Wanger’s presentation of Fitzgerald to the literary faculty. The disaster was further amplified with staggered appearances at Psi Upsilon and Alpha Delta Phi parties that concluded in a screaming sidewalk confrontation of the two with Wanger in front of the Hanover Inn. Wanger and his studio crew ran them out of town onto the next train out of White River Junction for Grand Central. They dried out for three days at Doctor’s Hospital in New York. (Continue)